Non-Stop Digital Flickerings;
2023. Artlab Gallery, London ON.
“Gnash the mesh that binds her. Quench the icy iron. Her mind is a matrix of non-stop digital flickerings.”1
I see my computer not as a tool for creaon but rather, as an extension of myself. I have never been separated from computer technology and the internet. I view my arsc pracce as a body of code, each piece of art or wring is a funcon I’ve added, indicated by the semicolon aer each tle of the artwork and pieces of wring I create. I am not searching for the defined but, rather, I am welcoming infinity, endlessness, or ‘void’. Non-Stop Digital Flickerings looks between the binaries, into the ‘void’, and explores the glitches which reside inside. ‘Void’ is the space found within the gaps of these coded structures. It is the in-between space. This space embraces those who fall into mulple labels or idenes - those who are not white, those who are not cisgender, those who are not straight, those who are not men, those who feel restricted or suppressed by the social standards implemented long before their me, those who want to free themselves from a binary way of thinking, and those who seek to live within the in-between.
Misha, “Wire Movement #9.” In Storming the Reality Studio: A Casebook of Cyberpunk & Postmodern Science Ficon, Larry McCaffery, ed. (Durham: Duke University Press, 1991), 113.